Ginevra Shay is an artist, writer, and curator who lives in New York City.
Ginevra’s practice creates an emergent sociality which thinks about the performativity of images, the body’s relationship to language, and reclamations of public space, which are addressed through conceptual, research-, and process-based works.
Often, the image is pushed to limits of the visual plane to become experiential beyond its two-dimensionality. The ephemerality of recollection, and missing elements of the archive, are called into relation through techniques such photography, sculpture, video, performance, and writing. In Ginevra’s work as an emergent sociality develops at the intersection of the perceptual, experiential, and the present. Through abstract image making, looking itself is brought into question, opening up observation as a complex process to be uprooted from dominant systems.
From 2013-2018 they were the Artistic Director of the nomadic museum The Contemporary in Baltimore and curated solo exhibitions with artists Abigail DeVille, Victoria Fu, and Michael Jones McKean, which received reviews in Art Forum, Art in America, Artnet, Momus, Paris Review, Washington Post, Hyperallergic, and Temporary Art Review. In 2022 Ginevra received a National Endowment for the Arts, Our Town Award for Baltimore Living Archives, which created a residency program between the Enoch Pratt Free Library and indie movie theater the SNF Parkway with artist Shan Wallace and writer Lawrence Burney.
Ginevra has lectured and participated in panels at the Queens Museum, the Oakland Museum, the American Philosophical Society in Philadelphia, the College Art Association’s National Conference, and the Society For Photographic Education’s National Conference.
Read the interview Ginevra did with Michael Filardo for Phroom
Education
MFA, Milton Avery School at Bard College, 2022
BA, University of Vermont, 2010
Solo and Two Person Exhibitions
Meadow’s Blistering Berry, Pentimenti Gallery, Philadelphia, PA (2021)
Phone Call, the Baltimore Museum of Art, Baltimore, MD, (2021)
A Mortar of Dusk and Whistling, Colburn Gallery, University of Vermont, Burlington, VT, (2019)
Stars Exalt the Darkening Sky, NO/ Gallery, Ghent, Belgium, (2019)
Sweet Broth, A Cure For Those Windows, Full Circle Gallery, Baltimore, MD, (2018)
Fictive Certainties, with Maria Tinaut, de novo gallery, Washington, DC, (2019)
A Big Toe Touches A Green Tomato, with Roxana Azar, Resort Gallery, Baltimore, MD, (2018)
We No Longer See It, with Dan Rizzo-Orr, LVL3 Gallery, Chicago, IL, (2016)
Impossible Eye, with Miranda Pfeiffer, curated by Max Guy, Rock512Devil, Baltimore, MD, (2014)
Group Exhibitions
Embodied, Hercules, New York, NY (2023)
Krissy Talking Pictures, Sound Music Collective, Philadelphia, PA (2023)
Night Tending, curated by R. Aster Syrell, Ye Gallery, Queens, NY (2023)
Absolutely Maybe, Bard MFA thesis, curated by Isis Awad, Red Hook, NY (2022)
Linen, Silk, & Pearls, LVL3, Chicago, IL (2022)
Night Scenes, curated by Dominic Terlizzi, Tiger Strikes Asteroid, Brooklyn, NY (2021)
Twice Removed, curated by Derrick Velasquez, Trestle Gallery, Brooklyn, NY (2021)
Your Fingers Are Welcome to Go For a Walk, Bard College, Online (2020)
Salon, Resort Presentation, Baltimore Museum of Art, Online (2020)
10 x 10 x 10, Resort Presentation, Artspace, Online (2020)
Sondheim Semi-Finalists Exhibition, Decker and Meyerhoff Galleries,
Maryland Institute College of Art, Baltimore, MD (2020)—Canceled due to Covid-19
Houston Annual 2019, organized by Shane Lavalette, Houston, TX (2019)
Archive Exhibition, Photobookshow, Brighton, UK (2019)
Garden Party, museum Dhondt-Dhaenens, Sint-Martens-Latem, Belgium (2019)
PHROOM, curated by Giangiacomo Cirla, Matteo Cremonesi, and Elena Rebecca Rivolta, Odessa, Ukraine (2019)
View Finder, Page Bond Gallery, Richmond, VA (2019)
Implicit Dimensions, The Anderson Gallery, Virginia Commonwealth University, Richmond, VA, (2018)
ROTTURA DI SUPERFICIE, B#S Gallery, Treviso, Italy, (2018)
Guest Room, DER GREIF, Online exhibition, curated by Diane Dufour, Germany (2018)
The Sky Opens Twice, Biblioteca Comunale Daverio, Italy, (2018)
The Sky Opens Twice, JEST, Turin, Italy, (2018)
Washington Project For the Arts Auction, U-line Arena, Washington, DC, (2017)
Reference/Material, curated by Alex Ebstein, Towson University, Towson, MD, (2016)
A Tangential Survey, University of Maryland, College Park, MD, (2016)
Common Sense(s), curated by Juan Madrid and Carlos Loret de Mola, Center for Photography at Woodstock, Woodstock, NY, (2016)
Untitled Art Fair, Represented by Present Company, Miami, FL, (2015)
Positive Reinforcement, Gallery Four, Baltimore, MD, (2015)
Salon of 1808, organized by The Peggy, 609 N. Paca Street, Baltimore, MD, (2015)
Drawing Board, Ballroom Gallery, Baltimore, MD, (2015)
AESTHETIC POLITICS OF THE ARTIST RUN, Transmitter and Guest Spot, Baltimore, MD, (2015)
A Punch Bowl In A Dark Sink, Mallory Bloor, Baltimore, MD, (2015)
Sondheim Semi-Finalists Exhibition, Decker and Meyerhoff Galleries,
Maryland Institute College of Art, Baltimore, MD, (2015)
Near Dark, Present Company, Brooklyn, NY, (2015)
Book Fair, Art Books / Book Arts Today, Yale University Art Gallery, New Haven, CT, (2014)
(e)merge Art Fair, represented by Present Company, Capitol Skyline Hotel, Washington, DC, (2014)
Perfect Wasn’t Bad, curated by Empty Stretch, Hell & Gone, Brooklyn, NY, (2014)
Macricrocosm, curated by Stewart Watson, Area 405, Baltimore, MD, (2014)
COL+LATE, curated by Trevor Powers, Flying Object, Hadley, MA, (2014)
Petrella’s, NADA Art Fair, NYC, NY, (2014)
The Collaborative Photobook: Selections from the Indie Photobook Library,
SPE Conference, Baltimore, MD, (2014)
Select 2014, Organized by Washington Project for the Arts, Juror Mera Rubel
Artisphere, Arlington, VA, (2014)
Select 2014 (Preview), presented by the WPA, hosted by Marianne Boesky, NY, NY (2014)
Photobook Show Malamö, Galleri Vasli Souza, Malmö, Sweden, (2014)
Petrella’s Imports: Internet Protocol, Pulitzer Fountain, NYC, NY, (2013)
A Tail and Head with No Body, Terence Hannum and Gary Kachadorian,
Printed Matter Online, NYC, NY, (2013)
Petty Thieves, Organized by Empty Stretch and Furthermore,
Petworth Citizen, Washington DC, (2013)
Medium Cool, Prairie Production, Chicago, IL, (2013)
Looking Away, Curated by Geoff Delanoy, Gormley Gallery,
Notre Dame of Maryland University, Baltimore, MD, (2013)
These Are Young People, Curated by Aljaž Celaric and Eva Pavli
Seifert, Skrinja Gallery, Maribor, Slovenia, (2013)
Blonde Art Books Tour, Risograph Pop Up, Curated by Sonel Breslav,
Institute of Contemporary Art, Philadelphia, PA, (2013)
Transformer Art Auction, Corcoran Gallery of Art, Washington DC, (2013)
Selfie, Curated by Rod Malin, Guest Spot, Baltimore, MD, (2013)
Petrella’s Imports, Bowery and Canal, NYC, NY, (2013)
Halftone, Curator Greg Jackson, Open Space Gallery, Bournemouth, UK, (2013)
Photobook Show E, John Hansard Gallery | Central, Southampton, UK, (2013)
L.A. Art Book Fair, Represented by Arts and Sciences Projects,
The Geffen Contemporary at MOCA, LA, CA, (2013)
Speaking Engagements
Artist Talk, Virginia Commonwealth University, Richmond, VA, Sept 2020
Curatorial Talk, LAUNCH, ICA Baltimore, Baltimore, MD, May 2019
Moderator, Decade of Fire screening, Discussion with Director Vivian Vázquez Irizarry, Maryland Film Festival, Baltimore, MD, May 2019
Moderator, South Mountain, Discussion with Director Hilary Brougher, Maryland Film Festival, Baltimore, MD, May 2019
Artist Talk, Mollie Ruprecht Visiting Artist, University of Vermont, Burlington, VT, Apr 2019
Artist Talk, Sweet Broth, A Cure For Those Windows, Full Circle Gallery, Baltimore, MD, Dec 2018
Artist Talk, In-between Shores Residency, Library/Town Hall, Daverio, Italy May, 2018
Moderator, Moving Images beyond the Cinema, with Alan Resnick, Marnie Ellen Hertzler, Wickerham & Lomax, Lily Baldwin, and Jillian Mayer, Maryland Film Festival, Baltimore, MD, May 2017
Artist Talk, Back to Work, Gormley Gallery, Notre Dame of Maryland University, Baltimore, MD, May 2017
Curatorial Talk, The Ground, The Contemporary, Baltimore, MD, Apr 2017
Workshop, Dismantling Power and Passive Engagement, Public Commons 2017, American Philosophical Society, Philadelphia, PA, Mar 2017
Panelist, Artists as Museum Workers, Museum Committee of the College Art Association, New York, NY, Feb 2017
Artist Talk, University of Maryland, College Park, MD, Sep 2016
Artist Lecture, Towson University, Towson, MD, Sep 2016
Panelist, The Permeable Space: Socially Engaged Institutions, Open Engagement Conference, Oakland Museum of California, Oakland CA, April 2016
Artist/Curator Talk, Cara Ober’s Professional Development Course, Maryland Institute College of Art, Baltimore, MD, Feb, 2016
Panelist, Peale Museum/Peale Center Public Forum, Former Peale Museum, Baltimore, MD, Feb, 2016
Moderator, 3D Printing + Access, with Dwyer Kilcollin, and Smithsonian Digitization Program Officers Adamn Metallo and Vince Rossi, The Contemporary, Baltimore, MD, May 2015
Moderator, Error: Host Unknown Panel, with Dina Kelberman, Wickerham & Lomax, and Amanda Horowitz,
Maryland Film Festival, Baltimore, MD, May 2015
Curatorial Talk, Bubble Over Green, The Contemporary, Baltimore, MD, March 2015
Presentation, On The Contemporary with Deana Haggag, Open Engagement Conference, Queens Museum, Queens NY, May 2014
Presentation, Society For Photographic Education National Conference, Baltimore, MD, March 2014
Organizer Talk, Good Light #2, Current Space, Baltimore, MD, Sep 2013
Presentation, THIRTY: 30 Creative Minds Under 30, Maryland Art Place, Baltimore, MD, May 2013
Artist Lecture, Open Space Print and Multiple Fair, D Center, Baltimore, MD, March 2013
Curatorial Talk, New History, Guest Spot, Baltimore, MD, Dec 2012
Organizer Talk, Good Light, Current Space, Baltimore, MD, Nov 2012
Grants / Awards
Lower Manhattan Cultural Council Grant, 2024
Bard MFA Fellowship, 2020-2022
Aperture Portfolio Prize Finalist, 2021
COVID Grant, State of Maryland 2021
Creativity Grant, State of Maryland 2020
Trawick Prize Finalist 2020
Individual Artist Grant for Photography, State of Maryland 2018
Visiting Artist / External Reviewer / Teaching
External Reviewer, Curatorial Practice MFA, Maryland Institute College of Art, 2019
Visiting Artist, BA, Mollie Ruprecht Visiting Artist at the University of Vermont, 2019
External Reviewer, MFA Thesis, Rutgers University, 2017
Visiting Artist, MFA, Towson University, 2016
External Reviewer, BFA Thesis, Maryland Institute College of Art, 2015
Guest Lecturer, GhostFood Undergraduate course with artist Miriam Simun and The Contemporary, Johns Hopkins University, Baltimore, MD 2015
Founder + Instructor, Current Space Community Darkroom, Baltimore, MD 2012 – 2014
Residencies / Intensives
Home School, Hudson, NY, 2019
(Faculty: Fred Moten, CA Conrad, Arianna Reines, Jackie Wang, Dawn Lundy Martin, Anne Boyer, Precious Okoyomon)
Artist-in-Residence, Full Circle Photo, Baltimore, MD, 2018
(Color and black and white darkroom residency and solo exhibition)
Artist-in-Residence, In-between Shores, Ardesia Projects, Daverio, Italy, 2018
(Month long residency that included two exhibitions, one at Jest in Turin and workshops with photographers Sara Palmieri and
Curatorial Practice, Yale University Art Gallery’s Department of Photography, Yale, New Haven, CT, 2017 (Photographers: Lee Friedlander, David Goldblatt, Bill Burke; Met. Museum Curator Maria Morris Hamburg)
A-Z West Residency, Joshua Tree, CA, 2017
(Curatorial residency at artist Andrea Zittel’s desert project)
Gallery Four, Baltimore, MD 2015-2016
(Invited as a artist/curator live-work warehouse residency)
Y.ES Contemporary, El Salvador, 2015
(Visiting Curator/Artist alongside Mark Dion and Dana Sherwood)
Public Collections
Yale University Art Gallery Library, New Haven, CT
Los Angeles County Museum of Art, Los Angeles, CA
Rock Paper Sissors, Oakland, CA
International Center for Photography, New York, NY
Arts & Sciences PROJECTS, New York, NY
Parallel Art Space, Queens, NY
950 Hart Gallery, Bushwick, NY
Indie Photobook Library, Washington, DC
Houston Center of Photography, Houston, TX
Bethel University Collection of Artist Books & Publications, St. Paul, MN
Little Brown Mushroom Books, St. Paul, MN
Open Space Library, Baltimore, MD
Memorial Library at 17 Cox, Beverly, MA
Salford Zine Library, in Manchester, UK
Work Flow, Brighton, UK
Booklet Library, Japan
+ Private collections in the USA, Italy, Belgium, and UK
Curatorial
2020
Phone Call, Taylor Renee Aldridge, Abdu Ali, Mei-mei Berssenbrugge, Elliott Jerome Brown Jr., CAConrad, Anna K. Crooks, Christian Michael Filardo, Kearra Amaya Gopee, GenderFail (Be Oakley), Gordon Hall, Katherine Hubbard, Aristilde Kirby, Coco Klockner, Ty Little, Malcolm Peacock, Brianna “B.P.” Perry, Amina Ross, Param Anand Singh, Ginevra Shay, Ryan Syrell, Martha Tuttle, Kelly Xio, Rose Arcade + Transformer DC, Washington, DC
2019
LAUNCH, co-curated with Jerome Harris, Maryland Institute College of Art, Baltimore, MD
2018
Anise Hyssop, Lyndon Barrois Jr., Jashin Friedrich, Azim Al Ghussein, Ian Miles Gerson, Joan Jonas, Josie Keefe, Arnold J. Kemp, Jessica Lynne, Megan O’Hearn, Letha Wilson, Lu Zhang, Rose Arcade, Queens, NY
Spark, Group Exhibition of Teaching Artists from Towson and UMBC Universities, Light City, Baltimore, MD
2017
Wash, Martha Tuttle, Max Guy, Merideth Hilbrand, Rose Arcade, AZ West, Joshua Tree, CA
The Ground, solo commission Michael Jones McKean, The Contemporary, Baltimore, MD
2016
Let The Sun Set On You, solo commission Malcolm Peacock, Rose Arcade, Baltimore, MD
Occhio Pavone, Theresa Chromati, June Culp, Alexander Iezzi, James Bouché, Donatella Marcassa, Luigi Presicce, María Tinaut, Rose Arcade, Florence, Italy
Clam in the Wild, Allie Linn and Margo Malter, Rose Arcade, Baltimore, MD
Only When It’s Dark Enough Can You See The Stars, solo commission Abigail DeVille, The Contemporary, Baltimore, MD
2015
Positive Reinforcement, Group Exhibition, co-curated with Jonathan Campolo and Greyory Blake, Gallery Four, Baltimore, MD
Error: Host Unknown, Video Art Screening, Zadie Xa, Emma Hazen, Dina Kelberman, Wickerham & Lomax, Milton Melvin Crossiant III, Laurie Kang, Amanda Horowitz, Maryland Film Festival, Baltimore, MD
A New Glass, Group Exhibition, co-curated with Roxana Azar, Oranbeg, Online Exhibition
Bubble Over Green, solo commission Victoria Fu, The Contemporary, Baltimore, MD
2014
Baltimore, Contemporary Cross Section, Group Exhibition, Silvermine, New Canaan, CT
Find No Two Suns, Sophia Belkin and Suzana Zak, Current Space, Baltimore, MD
2013
No Matter, John Zimmerman solo exhibit, Current Space, Baltimore, MD
Regarding Territory, Group Exhibition, Furthermore Gallery, Washington, DC
Good Light (2013), Group Photography Exhibition, with lecture by Daniel Shea, Current Space, Baltimore, MD
Painted Woods, Ryan Syrell solo exhibit, Current Space, Baltimore, MD
Assembly Affect, Kyle Tata solo exhibit, Current Space, Baltimore, MD
INTO THE WOODS, Elle Pérez solo exhibit, Current Space, Baltimore, MD
2012
Good Light, Group Photography Exhibition, Current Space, Baltimore, MD
NEW HISTORY, Marina Pinsky, Dina Kelberman, Alex Ebstein, Luis Arnías, Guest Spot, Baltimore, MD
Everything That Rises Must Converge, Exhibiting Artists: Heyward Hart, Andrew Laumann, Joseph M. Lopez, Trevor Powers, RaMell Ross, Irina Rozovsky, co-curated with Carl Gunhouse, 950 Hart Gallery, Brooklyn, NY
Everything That Rises Must Converge, Exhibiting Artists: Heyward Hart, Andrew Laumann, Joseph M. Lopez, Trevor Powers, RaMell Ross, Irina Rozovsky, co-curated with Carl Gunhouse, Current Space, Baltimore, MD
Select Writing, Publications, Artist Books, and Catalogs
2024
Review, Soft Power: The Enchanted Forest of the Mind Ginevra Shay on “The Ginny Suite” by Stacy Skolink, Lecture, Texte zur Kunst, Berlin, Germany
2023
Essay, Fragments of a Missing Intersex Archive, Trans Perspectives, Texte zur Kunst, Berlin, Germany
2022
Feature, Absolutely Maybe, Bard MFA thesis catalog, curated by Isis Awad, Red Hook, NY
2021
Poem, The Missing Eye, Mattia Parodi & Piergiorgio Sorgetti, Witty Books, Turin, Italy
2019
Curatorial Exhibition Catalog, Essay, LAUNCH, Maryland Institute College of Art, Baltimore, MD
Exhibition Broadsheet, Ginevra Shay, NO/ Gallery, Gent, Belgium
2018
Artist Book, An Attempt At Constructing A Space, Ardesia and JEST, Italy
2017
Essay, Stereo-vision: Thoughts on Color in the Work of Lyndon Barrois Jr, Sensible Disobedience Catalog, curated by Lynnette Miranda, Charlotte Street Foundation, Kansas City, MO
(re-published through Temporary Art Review)
2016
Feature, Corda Magazine, Art and Literary Magazine, London, UK
Feature, Common (S)enses, Exhibition Catalog, Center for Photography at Woodstock, Woodstock, NY
2015
Feature, Paper Safe, Art and Literary Magazine, Boston, MA
2014
Artist Book, Bronzelidded, Baltimore, MD
Artist Book, Average Subjects, Ginevra Shay and Kyle Tata, Baltimore, MD
Feature, Pretty Boy, Published by Rock Bottom Press, LA, CA
Feature, ACRES Issue 2, Art and Literary Magazine, Baltimore, MD
2013
Feature, Interleaves, Published by Oranbeg Press, NYC, NY
Feature, NICE TO SEE YOU, Curated by Trevor Powers, Supported by Jobo, Northampton, MA
Curitoral Exhibition Catalog, Good Light Catalog (2013), Current Space, Baltimore, MD
Feature, Wall Papers #2, Zine, Published by Arts & Sciences Projects, NYC, NY
Curitoral Exhibition Catalog, Kyle Tata, Assembly Affect, Current Space, Baltimore, MD
Curitoral Exhibition Catalog, Forward, Elle Pérez, INTO THE WOODS, Current Space, Baltimore, MD
Feature, Haus, Art and Literary Magazine, Gallatin University, NY
Feature, Elk Zine No. 26, Photography Book, Las Vegas, NV
Feature, On Images and Photographs, Photography Book, Ljubljana, Slovenia
Artist Book, SHAY/BOUCHÉ, Photography Book, Risograph, Ginevra Shay and James Bouche, Baltimore, MD
Artist Broadsheet, It’s Wrong to Want to be Raptured, Zine, by R. M. O’Brien and Ginevra Shay, Baltimore, MD
Feature, We Don’t Owe You A Thing, Zine, Scene Report for Baltimore, Published by Carl Gunhouse and Tomas Marquet, Brooklyn, NY
Artist Book, SEE YOU SOON, Ginevra Shay and Jonathan Campolo, Photography Book, Self Published, Baltimore, MD and Brooklyn, NY
2012
Curitoral Exhibition Catalog, Good Light, Current Space, Baltimore, MD
Artist Book, There’s Treasure Everywhere, Self Published, Baltimore, MD
Artist Book, TOO MANY PLACES AND TIMES TO REMEMBER, Ginevra Shay and Trevor Powers, Self Published, Baltimore, MD and Boston, MA
Artist Book, Inbetweenie, Self Published, Baltimore, MD
Feature, TARRATINE, Photograph, Art and Literary Magazine, Print, Bangor, ME
Curitoral Exhibition Catalog, Text, Everything That Rises Must Converge, Co-curated with Carl Gunhouse, Print, New York, NY
Bibliography
Feature, Bard MFA Thesis, Art and Education, Online, Nov 2022
Interview and Feature, Archives Are for Everyone, BmoreArt, Baltimore, MD, Feb 2022
Feature, Softening Social Distancing: Poets and Listeners Connect, BmoreArt, Baltimore, MD, April 2020
Top 10 Exhibitions, Art of the Decade, Contemporary Speaker Series and Only When It’s Dark Enough Can You See the Stars, BmoreArt, Baltimore, MD, Dec 2019
Review, “Shay & Tinaut”, Washington Post, Newspaper, Washington, DC Sept 2019
Feature, Stars Exalt the Darkening Sky, GUP Magazine, Amsterdam, Winter 2019
Top 10 Exhibitions, #1 Exhibition to see in Belgium, DeStaandard Newspaper, Belgium, Feb 2019
Review, “THE WEIGHT OF LIVING” by Joseph Shaikewitz, BmoreArt, Feb 2018
Interview, PHROOM magazine, by Christian Michael Filardo, Fall, 2018
Feature, Artists on Beauty, BmoreArt Magazine, Spring 2018
Feature, Baltimore Creative Spaces, ARTNEWS Magazine, Spring 2018
Feature, Artforum Instagram, Jan 2018
Feature, Artnews Instagram, Jan 2018
Feature, Abigail DeVille and “Only When It’s Dark Enough Can You See The Stars”, Art21 Documentary
Top 10 Exhibitions, “The Ground”, BmoreArt, Fall 2017
Best Experience, “Let The Sun Set On You”, Baltimore City Paper, Sep 2017
Review, “The Ground” by Sylvie Fortin, Frieze Magazine, Spring 2017
Review, “Michael Jones McKean Makes Museums Existentially Terrifying” by Michael Anthony Farely, Art F City, May 2017
Review, “An Installation in a 19th-Century Department Store Collapses Time”, by Joseph Shaikewitz, Hyperallergic, May 2017
Review, “The Ground”, Frieze Magazine, by Sylvie Fortin, April 2017
Essay, Stereo-Vision: Thoughts on Color in the Work of Lyndon Barrois Jr., Temporary Art Review, Mar 2017
Front Page Feature, “The Ground”, Baltimore Sun, Feb 2017
Feature, “Watch This” Spacemakers, Baltimore Magazine, Fall 2016
Interview, “Ginevra Shay of Rose Arcade”, Post Office Journal, Oct 2016
Review, “Only When It’s Dark Enough Can You See The Stars”, Art in America, August 2016
Review, “Abigail DeVille Unburies Bodies at The Contemporary”, by Owen Duffy, Momus, Jun 2016
Review, “The Many Lives and Losses of the Western Hemisphere’s Oldest Museum”, by Alex Ebstein, Hyperallergic, Jun 2016
Review, “Abigail DeVille Mines America’s Oldest Museum” by Michael Anthony Farley, Art F City, Jun 2016
Review, “Descending a Staircase Darkly” by Bret Mccabe, BmoreArt, May 2016
Review, “The Seduction of Screens and Neon at Night” by Cara Ober, Hyperallergic, Mar 2015
Critics Pick, “Bubble Over Green”, Artforum, Feb 2015
Interview, “PHO·TOG·RA·PHY, FƏ-ˈTÄ-GRƏ-FĒ, PHŌTOS GRAPHÉ, “DRAWING WITH LIGHT:” BUT WHAT IS IT REALLY?”, BmoreArt, Jun 2015
Review, “Installation breathes life into long-empty Station North building” by Gabrielle Souza, Baltimore Magazine, Mar 2015
Review, “MIXED UP: BALTIMORE COMES TO SILVERMINE” by Jill Gordon, BmoreArt, Sep 2014
Review, “BACK AND FORTH LOVE SONG: IMPOSSIBLE EYE” by Ben Levy, BmoreArt, Jul 2014
Review, “Rich and Inclusive, a Celebration of Photography: Good Light”, written by Mac Falby, BmoreArt, Online Journal, Baltimore, MD, 2013
Best of Baltimore, “Best Throwback Technology”, Baltimore City Paper, 2013
Feature, Now See This, written by Baynard Woods, Print, City Paper, Baltimore, MD, 2013
Picks, We Saw This, So Should You, written by Ian Maclean Davis, BmoreArt, Baltimore, MD, 2013
Review, “We Went to Baltimore: Jumbo Mumbo”, Part Two, Art Fag City, Online Journal, NYC, NY, 2013
Interview, “MAP 30 Under 30”, What Weekly, Online Journal, Baltimore, MD, 2013
Feature, New Discoveries: “SHAY/BOUCHE”, Arts & Sciences Projects Blog, NYC, NY, 2013
Curatorial Podcast, Maryland Institute College of Art, Baltimore, MD, 2013
Interview, Current Space Community Darkroom, Towson University, Towson, MD, 2013
Feature, Make Space, Online Journal, Chicago, IL, 2013
Feature, “Darkrooms are re-developing in Baltimore”, Baltimore Sun, Baltimore, MD 2012
Feature, Good Books From 2012, Printed Matter, Online Journal, Brooklyn, NY 2012
Feature, Gary Kachadourian’s Top 10 Art Shows (of 2012), “New History”, City Paper, Baltimore, MD, 2012
Exhibition Review, “Making (New) History at Guest Spot”, written by Jill Gordon, 2012
Online Journal, BMOREART, Baltimore, MD, 2012
Exhibition Review, “ReInstituationalized”, written by Chloe Helton-Gallagher, Print, City Paper, Baltimore, MD, 2012
Exhibition Review, “NEW HISTORY”, written by Sara Barnes, Brown Paper Bag, 2012
Online Journal, Baltimore, MD, 2012
Feature, “Too Many Places and Times to Remember”, Make Space, Chicago, IL, 2012
Interview, MULL IT OVER, written by Jonathan Cherry, Online Journal, UK, 2012
Review, “Everything That Rises Must Converge”, written by Sara Barnes, Brown Paper Bag, Online Journal, Baltimore, MD, 2012
Review, “Everything That Rises Must Converge”, by Holly Stanton, Kitsune, Online Journal, France, 2012
